The American paperback comes out in June! I really love this gentle new cover.
And a question for you: Should I be on the Times 100 list? Vote here.
Tomorrow (Saturday 9th) is the first U.S. screening of painter and filmmaker Margaux Wiliamson’s film Teenager Hamlet. This “constructed reality” movie is about the tension between the Hamlets of the world (who worry about what’s a worthy action to take in life) and the Ophelias (who have faith in the redemptive power of beauty).
It is the companion piece to Believer editor Sheila Heti’s book, How Should a Person Be? Both the book and the movie were created between 2006 and 2012 and feature many of the same people.
Please come! $9 suggested donation. 7:30 PM at UnionDocs (322 Union Ave., Williamsburg, Brooklyn).
I read Sheila Heti’s How Should a Person Be? on the bus to Vancouver, B.C. Somewhere around Olympia I realized that if I couldn’t pace myself I’d finish it before the border. Fuck it, I yelled at the Tacoma Dome, and opened the book back up. It turned me on, it turned me off, it challenged everything I thought I knew about women and nonfiction.
—Michael Heald, author of Goodbye to the Nervous Apprehension
Sheila Heti’s How Should a Person Be? is certainly one of the more original books I’ve read, though not in the way I at first expected. It is cast as a nonfiction novel: it is narrated by a writer named Sheila, and it’s about her friends, who all have the same names as several real-life friends of hers. It is, in her words, a “novel from life.” But it turns out that there are pretty obvious artistic licenses taken—for example, a rough, brooding sex partner is named “Israel,” which gives rise to some too-good-to-be true scenarios and sentences, suggesting at least some degree of fabrication. But Heti’s novel instructs its readers to assume documentary truth. The result of this fact-fiction tension was that How Should a Person Be?—which would more accurately have been titled How Should an Artist Be?—made me think about the sacrifices that go into making art.
– Marc Tracy, Staff Writer